Jasperland
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  • Who Writes The Streamer Notes?

    The other day, Apple Music gave me a notification about a new EP: Promises by Lissie. I started listening, predisposed to like it—I must have listened to her 2016 song “Wild West” 100 times. And I did like it. For me, the standout track was “Everywhere.” I liked Lissie’s version a lot, but after playing it a few times, what I really wanted was to listen to the Fleetwood Mac original again.

    It turns out “Elsewhere” is off their final album, 1987’s Tango In The Night. Who knew? Not this millennial. Nonetheless, I know the track so well. I must have heard it a thousand times on the radio. Or maybe I once owned their Greatest Hits? Either way, I became interested in knowing more about this album and immediately read the little blurb included in Apple Music. Here are the last two sentences of the first paragraph:

    As a great pop band, Fleetwood Mac has never been ahead of the times—if anything, they’re always just behind them enough to serve as a kind of summary or reflection. Where Rumours feels like mid-’70s pop-rock, Tango feels like the late 1980s: the synthesizers and drum machines (“Everywhere”), the gauzy surfaces (“Seven Wonders”), the sense of everything being suspended in pink perfumed mist (“Little Lies”).

    How great is that!? Especially the phrase, “…the sense of everything being suspended in pink perfumed mist”! I love it!

    But who wrote it? Apple Music never lets the authors sign these blurbs, and there’s no trace of these phrases on the internet, beyond a few search results from Apple Music / Shazam. Some anonymous music writer wrote this précis just for the streaming service. Like an unsigned letter in a bottle. For what, fifty bucks? It all makes me a little melancholy.

    → 3:03 PM, Aug 28
  • My partner and her sister spent much of our trip to Chicago processing many, many boxes of childhood and family ephemera. Among the treasures found was this type specimen created many moons ago by my sister-in-law Julia. Spice!

    A child's drawing of the word "Spice" in 17 variations of font
    → 2:33 PM, May 18
  • I hope that the scrawler of this graffiti, on a forlorn strip under the L, has found their way to a better place.

    A photo of a stained-looking brick wall A zoomed in view of the bricks revealing graffiti reading "I'm TOTALLY ALMOST READY AFTER MANY YRS OF SHIT TO END IT ALL"
    → 2:32 PM, May 18
  • I love this New York Times article about History for Hire, a prop house in North Hollywood that is at risk of closing because of rising rent and a decline in LA-based film and TV production since the pandemic and the writers’ strike. I especially liked this mention of a special library built around the demands of recreating objects from the past:

    Perhaps the most fulfilling part of the job, Pam said, is diving into the history itself. There is an entire library in the warehouse devoted to that work, filled with books and reference guides that could be props themselves.

    A photo from inside a prop house showing Wheaties box flats, old Budweiser bottles with a ruler leaning against them, and binders with titles like "CRATE LABELS" and "CAT & DOG FOOD"
    → 2:31 PM, May 18
  • It was nice to be back in Oak Park, Illinois. That town is never not looking like a frame from a Chris Ware comic. (He’s a local.)

    A photo of downtown Oak Park at sunset with a tall, art deco building lit up in amber light.
    → 2:27 PM, May 18
  • Also taking an adversarial stance against generative AI? Robin Sloan’s latest zine.

    → 2:22 PM, May 18
  • Noting with pride that when you look at my office on street view, the window talks back. 2020 was also a protest year!

    A blurry photo of a window with a sign in it reading "End Police Brutality"
    → 2:19 PM, Apr 14
  • I got properly got by this James Hoffman coffee video—“The Secrets of My Daily Coffee Routine.” It came out this Tuesday, and I definitely recommend it.

    Hoffman Screenshot.jpeg.
    → 1:29 PM, Apr 6
  • This chart, from The Economist via Adam Tooze’s Chartbook, has me considering veganism all over again:

    3c869da5 b2db 42cb a95d e56e8e9c90ab_684x748.jpg.
    → 1:28 PM, Apr 6
    Also on Bluesky
  • These bats! (They remind me of my favorite ant.)

    → 1:20 PM, Mar 29
  • Did you know you can just grab a pair of scissors, remove the sleeves from any t-shirt, and it immediately becomes a muscle shirt? Doing so feels destructive and liberatory and addictive.

    → 1:19 PM, Mar 29
  • I’m obsessed with the lower-case e in the font in the bathroom at Astro Burger.

    Whoah!

    → 1:17 PM, Mar 29
  • The Generous Mail Carrier

    I had two reminders in my Notes app for topics to write about: “Our mail carrier giving Orlando and us oranges” and “Lisa’s newsletter.” But then I read the latest installment of Not Know How and saw that Lisa had herself written a beautiful meditation on walking around our neighborhood, worrying about the state of the world, and, would you know it, receiving unexpected gift oranges:

    On the last block before our building, we met our mail carrier, sitting in her parked truck. She handed my son three oranges, one for each of us, the second time she has given us this gift.

    You should read the full essay. Plus, after the essay there’s an interview with noted graveyard writer Jessica Ferri. And a plug for You Know What’s Good, which she described as a “delicious, ASMR-adjacent vignette series.” (!!!) I may be biased, but I find Not Knowing How to always be full of beautiful insights and literary genius.

    → 1:03 PM, Mar 29
  • As we wait to see whether Pope Francis will pull through, one more plug from n+1: “The Resurrection Appearance at Parque Lítico La Movediza” by Tom Bubul. This is from the Fall issue. The cover blurbed it as “Pope Fiction.” It’s… that.

    (Also, check out Bobul’s website; that’s my jam!)

    → 12:59 PM, Mar 16
  • Erin Kissane’s latest essay, “Bad shape,” builds on her work around Meta’s role in the genocide of the Rohingya, and backs up a bit to look at social media writ large. She ends up arguing that the last fifteen years suggest that “platform corporations are structurally incapable of good governance, primarily because most of their central aims (continuous growth, market dominance, profit via extraction) conflict with many basic human and societal needs.”

    I especially liked this passage:

    A tractor structurally can’t spare a thought for the lives of the fieldmice; shouting at the tractor when it destroys their nests is a category error. Business does business. The production line doesn’t stop just because a few people lose fingers or lives. And what is a modern corporation but a legal spell for turning reasoning beings into temporarily vacant machines? We know this, which is why we have OSHA and the FAA and the FTC, for now.

    → 12:57 PM, Mar 16
  • Boy, it’s a terrible, terrible political moment! I’m not focusing Lightplay in that direction right now, but I want to shout out three publications that I have been finding essential in these times: Jason Kottke’s kottke.org, Ryan Broderick’s Garbage Day, and Rusty Foster’s Today in Tabs. I’m sad that these publications—a “cool stuff” linkblog and two roundups of Internet/literary/shitposty drama—have had to pivot to covering the democracy beat. But with the big newspapers treating the ongoing coup with a stance I would describe as “blasé chic,” these three writers are doing key work in curating stories that, taken together, help me understand the big picture.

    → 11:55 AM, Mar 16
  • Kids say the darnedest things; it’s a fact universally acknowledged. Nevertheless, my two-year-old calling a Cybertruck a “Diaper Truck” might be an actual sign of genius.

    → 11:53 AM, Mar 16
  • New poem about AI just dropped: “For a Student Who Used AI to Write a Paper” by Joseph Fasano. Some relevant lines:

    I know your days are precious
    on this earth.
    But what are you trying
    to be free of?
    The living? The miraculous
    task of it?

    This question also goes out to people using AI to generate “content” that ends up getting published alongside words by humans! (I found this on kottke.org.)

    → 1:05 PM, Mar 15
  • More and more I feel that the 2024 election was our Brexit: a razor-thin decision (Brexit: 51.9% v. 48.1%; ’24 election: 49.8% v. 48.3%) that will, among other bad things, leave us poorer and less safe for decades to come.

    This isn’t the last chapter. More will be revealed. But: the knife cut bad.

    → 11:36 PM, Mar 1
  • Love this, from the proceedings of the annual conference of the Association for Computing Machinery in 1975:

    A SOFTWARE DEVELOPMENT CHRONOLOGY:

    1. WILD ENTHUSAISM
    2. FEVERISH ACTIVITY
    3. DISILLUSIONMENT
    4. TOTAL CONFUSION
    5. SEARCH FOR THE GUILTY
    6. PUNISHMENT OF THE INNOCENTS
    7. PROMOTION OF THE NON-PARTICIPANTS

    (Via my dad; specific text via The Big Apple.)

    → 11:35 PM, Mar 1
  • Well, I looked it up and now know that the right-facing Washington is a design by Laura Gardin Fraser—she designed the initial quarter but it was passed over for a design by someone else (a man). They changed over in 2022 for the American Women Quarters Program. I shoulda looked at the obverse.

    → 9:37 PM, Feb 9
  • To whoever flipped George Washington on the quarter: why?

    → 9:28 PM, Feb 9
  • I find it hard to blog while my nation’s democracy burns. Hard to do anything, really.

    Of course that’s what the arsonists want: stunned silence, inaction.

    Can’t give in—won’t give in—but man, this era sucks.

    → 10:49 PM, Feb 4
  • Getting up well before dawn—everyone else asleep—and writing in your journal for a while. The small pleasures.

    → 3:23 PM, Jan 31
  • To this person flying an American flag, a Trump 2024 flag, and a Mexican flag, I can only say, good luck.

    A photo of some houses with flags flying outside
    → 10:41 PM, Jan 30
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